The
man is wearing a gray sweatsuit – the hoodie covered by a large
black trash bag – while he runs. A young woman in a track suit
appears, and tries to catch up to him. The man speeds up to avoid
her. She catches up to him for an argument.
The
man claims this is his jogging route, while the woman claims it's her
neighborhood. The man runs off.
He
runs, looks back, seeming to have lost her. “Damn,” he
exasperates, slowing down. The woman then pulls back onto the road,
running after him.
“Hey!”
she says as she pulls up right behind him.
The
man looks back, noticing her. “WHAT THE FUCK?!” he yells. “I'm
married!”
Pat
(Bradley Cooper) was released from a mental hospital not long before
the jogging incident with Tiffany (Jennifer Lawrence). 2012's Silver
Linings Playbook follows Pat's
re-immersion into society after he was placed in a Baltimore mental
institution after brutally assaulting his now-estranged wife's
paramour.
Silver Linings
Playbook is a highly
metaphorical film about a former mental patient that doesn't prove
the protagonists mental problems. Cooper and Lawrence's portrayals of
people with major issues are powerful – although not indicative of
their insanity.
Pat
spends the film trying to fulfill the concepts of “excelsior” and
finding silver linings in everything. “If you stay positive, you
have a shot at a silver lining,” he says. He really believes in the
idea, the same way his father (Robert DeNiro) really believes in the
luck of a handkerchief to win his weekly bets on the Philadelphia
Eagles.
Pat
spends a good portion of the film literally and figuratively running
away from his problems. When Tiffany catches up to him, he begins
dancing with her, metaphorically and otherwise. After it becomes
clear (to the audience) that his life before the mental institution
is not coming back, dancing becomes a metaphor for how he is trying
to manage his new life. In finding Tiffany, Pat's journey to find
silver linings is reached.
The
reason given for Pat's admittance to the mental hospital was that he
was bipolar, and had anger problems, evidenced by the beating he put
on his wife's lover. The film shows two examples meant to further
prove his disorder; when “Ma Cherie Amour,” – the song that was
playing when he found his wife cheating – is played at his
therapists office, causing him to mess up a magazine rack; and when
some ignorant fans abuse his Indian therapist at an Eagles game, Pat
comes to his rescue. While Pat does react
angrily, these events don't prove any bipolar behavior; anyone is
these situations would respond the same way.
After
a dancing competition (which Tiffany got Pat to participate in
through the promise of helping him) Tiffany runs away. When Pat
catches up to her, that is when everything comes together, and their
love is realized. These two people overcome major life problems,
although neither of them is crazy, as the film attempts to portray.
No comments:
Post a Comment